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STREAM & ORDER THE WATCHFUL EYE OF THE STARS

LP 1 is a reissue of epic

LP 2 is epic as covered by FIONA APPLE, COURTNEY BARNETT ft. VAGABON, SHAMIR, LUCINDA WILLIAMS, BIG RED MACHINE, IDLES & ST. PANTHER.

Every week a new cover will be released. Listen to BIG RED MACHINE’s version of “A Crime” now.

More info here.

“filled with people, stories, and dialogue, the New York songwriter’s second album flows like an emotional breakthrough, tying together disparate observations into a serene and unified vision.”

- Pitchfork

“it’s so, so stunning”

- NPR

"The instrumentals alone on this album are gripping enough to stop you in your tracks, but sealing the deal is Cassandra's lyricism and vocal delivery, which feel casual and conversational but also poetic and quietly devastating."

- Brooklyn vegan

Praise for WENDY EISENBERG

“It’s all coolly enigmatic, and it breezes past in two and a half minutes, leaving plenty of time afterward to puzzle over the ominous closing lines: “I didn’t notice that/I didn’t notice that/My enemies are finally real.” Given the attention to detail that Eisenberg displays, it’s difficult to imagine them not noticing anything.” - Pitchfork

Praise for Dana Gavanski

“Sits alongside the work of contemporaries like Joan Shelley and Brigid Mae Power, her delicate voice rising and falling through these elegant psych-folk songs.” - UNCUT

Praise for The Making of You

"A sprinkling of Glasgow indie glitterati [Teenage Fanclub, Belle and Sebastian, and Soup Dragons] roped in by Jim McCulloch to bring widescreen color to his and [Anna] Sheard's faintly Pentangular Fairport-y songs, make this a spellbinding listen."

- Uncut 8/10

You may have all the Pentangle you need, and all the Fairport Convention you could ever want to listen to. The Making of You won’t replace any of these favorites, but it can definitely carve a space out on the shelf next to them. Make some room. This stuff is good.

- DUSTED

Praise for Arrow:

“symphonies for people THat don’t have a lot of time” - Iggy Pop

“Buoyed by reverb and washed resonance like ghostly after effects, her guitar becomes the center of a vast, murky universe, one that only grows more intricate as it expands.” - Bandcamp Daily

“An album that can be calming and beautiful, but also rich and dense and dramatic. Something to occupy your brain and drown out the din for a bit, which maybe you need. A great new experimental ambient record.”- Stephen Thompson, NPR’s NEW MUSIC FRIDAY

Praise for Consummation:

“With virtuosic arrangements and cavernous production flourishes, the Brooklyn songwriter’s second full-length is an ambitious record that miraculously does not feel like it’s taking on too much.” - Pitchfork

“This is quickly becoming one of my favorite records of the year so far.” - Robin Hilton, NPR’s New Music Friday

“…motivated and optimistic, like she’s realizing her mystical powers and deciding what to do with them.” - Consequence of Sound

“The album itself has many different moods, but Von Schleicher masters them all with her keen rock sensibilities.” - Paste

“a cinematic and remarkably poised record, lunging from one uncanny melody to the next.”- FADER

Praise for YESTERDAY IS GONE:

“Sits alongside the work of contemporaries like Joan Shelley and Brigid Mae Power, her delicate voice rising and falling through these elegant psych-folk songs.” - UNCUT

“an album of longing and devotion to longing, and of the uncertainty that arises from learning about oneself, of pushing boundaries, falling hard, and getting back up.” - Northern Transmissions

“You can certainly see some of [JUDEE] Sill’s traits come out in Gavanski in this collection of songs.” - American Songwriter

“deliciously creative and addictive, possessing the same magnetic powers as your favorite chocolate, coffee, or pie.” - The Revue

Praise for LAND OF NO JUNCTION:

“Land of No Junction abounds with deceptively serene serenades and sleights of hand.” - Pitchfork

“a kind of millenial Astral Weeks” - Uncut

“youbet’s debut manages to capture the complexities of youth across thirteen songs while also arguing that although we all grow up eventually, that doesn’t mean life has to lose its magic.” - AdHoc

“Compare and Despair is one of the year’s early essential releases.” - Post-Trash

“On Nick Llobet’s impressive debut record as youbet Compare & Despair, the New York songwriter’s nylon strings and intricate tenor vocal melodies cross-stitch a bedroomy ode to youthful despondency.” - New Commute

“Her vivid observations amplify nuance and color, giving her songs a synesthetic quality…” - pitchfork

“[lady lamb] displays a keen eye for detail on a set of self-examining, soulfully sung songs that clarify her place in the upper echelon of indie songwriters.”

- The philadelphia inquirer

“slow-building, anthemic indie-rock with big hooks and boisterous choruses.” - The San Diego beat

“[lady lamb] has this incredible vocal range and her albums are all so good, including her latest, even in the tremor.” - NBC San Diego

“Even in the Tremor showcases a rawness and vulnerability [she] has not yet shared so explicitly before.”

- no depression

“she takes on the challenge of writing entirely about herself. The results are thoughtful, challenging and emotionally real.”

- Riff magazine